Latest – Page 2 56a4v
- Features
Can TikTok save the cinema industry? 434q2c
Distributors and exhibitors are harnessing the power of imaginative social media creators who are crafting insider takes on everything from ‘Top Gun: Maverick’ to the films of Eric Rohmer.
- Features
North American box office up 64% in 2022 but Hollywood frets over prestige films (updated) 2k243g
Paramount’s Top Gun: Maverick ruled the roost in $7.5bn year.
- Features
Searchlight execs talk box office success of ‘The Menu’ 5o4d4w
Satire is studio’s highest grossing North American release since The Shape Of Water in 2017.
- Features
Is the theatrical market in crisis for feature documentaries? 6t1k8
Distributors and sellers assess the market on the eve of IDFA.
- Features
How Hong Kong cinema is bouncing back with local hits from new talent f3t2q
Beleaguered Hong Kong cinemas are being revived by local hits from new talent, but censorship continues to prove a challenge
- Features
Summer box office: ‘Top Gun: Maverick’ boost can’t overcome looming challenges 211yc
Screen reports on the cinema sector’s strike towards pre-pandemic normalcy.
- Features
‘Eric Ravilious: Drawn To War’ filmmaker Margy Kinmonth talks next projects, box-office run 404w5n
The doc has been the summer’s surprise box office hit in the UK and Ireland.
- Features
Smaller films play vital role in tempting audiences back to cinemas, new research finds 2u3wr
Audiences attracted to the cinema in the past by films featuring Black protagonists have been ill‑served by films released in the post-pandemic era.
- Features
How Pathé is steering ’Parallel Mothers’ past £1m at the UK box office w6e3z
The distributor is taking advantage of the screens available at UK cinemas for the Pedro Almodovar film.
- Features
How have key Oscar contenders fared at the Covid-era box office? 3y4h45
Screen assesses how key titles in the Oscar race are faring this year in a post-pandemic, shrunken-window world.
- Features
UK-Ireland box office sees big rise in 2021, but female directors, indie films worryingly absent 3s4j5l
“If anybody had offered these kinds of numbers for 2021, we would have bitten their hand off.”
- Features
North American box office up 100% in 2021, but it was a tough year for indie distributors 6j6j24
Older, more affluent patrons were slow to get back into the filmgoing habit after cinemas began to open their doors.
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FeaturesWhat’s it like to go back to the cinema in the UK post-lockdown? 4a1f46
Screen staff test out six different venues for factors including masks, food & drink and ticketing.
- Features
Why there is buzz at the North American box office for the first time in over a year 1x3e6p
After ‘Godzilla Vs. Kong’’s strong opening, distributors are hoping for a better summer.
- Features
North American 2020 box office: a tale of two years 56l1p
The unprecedented nature of the year created another significant metric: the March 20-December 31 post lockdown chart.
- Features
China box office topped North America in 2020 thanks to quicker post-lockdown recovery, strong local titles 345e2q
Local releases such as war epic ‘The Eight Hundred’ spurred it on.
- Features
French cinemas outperformed most other European markets in 2020 5n4t1r
The territory was helped by a more co-ordinated reopening in June post‑lockdown, and less reliance on the output of US studios.
- Features
Analysis: UK and Ireland box office fell 76% in 2020 3x202b
Box office soared for the first two months of 2020, but went into a tailspin when Covid-19 hit and never recovered.
- Features
How local titles have flourished at the Taiwan box office 2z1z18
Taiwan has reported no domestically transmitted Covid-19 cases since mid-April, and box office has continued to fly thanks to a string of local hits.
- Features
How 'After We Collided' became a surprise hit in the UK and Ireland 3r1m
The film is on release via Shear Entertainment with US sales agent Voltage Pictures.
