Latest – Page 4 463y1k
- Reviews
‘A Hero’: Cannes Review 2e3h34
Asghar Farhadi returns to Competition with the story of an unlinkely man caught in a social media storm
- Reviews
‘Let It Be Morning’: Cannes Review 437031
An Israeli Arab visiting his hometown finds himself under military seige
- Reviews
‘Hit The Road’: Cannes Review 4w72c
Panah Panahi raises the roof with his Directors’ Fortnight triumph
- Reviews
‘Lingui: The Sacred Bonds’: Cannes Review 2y1b3m
A single mother struggles to protect her pregnant daugter in Mahamat-Saleh Haroun’s Cannes Competition title
- Reviews
‘Ahed’s Knee’: Cannes Review m2y1h
Nadav Lapid plays in Competition with a caustic story about an Israeli film-maker forced into a cultural compromise
- Reviews
‘The Son’: Moscow Review w5d5x
A middle-aged Iranian man struggles to grow up after the death of his mother
- Reviews
‘The Last Shelter’: H: DOX Review 4t2xi
Moving documentary about life at Caritas House of Migrants, a refuge for travellers on the edge of Mali’s Sahel desert
- Reviews
‘Our Memory Belongs To Us’: H:DOX Review 1c4o3b
Three exiled Syrian journalists reunite to watch footage from the beginning of the revolution
- Reviews
‘Children Of The Enemy’: H:DOX Review 193t6
An man attempts to rescue his oprhaned grandchildren from a Syrian refugee camp
- Reviews
‘The Return: Life After Isis’: SXSW Review 3e3443
In a desolate camp in Northern Syria, stateless ‘Isis Brides’ open up to Alba Sotorra’s sympathetic lens
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- Reviews
‘Captains Of Zaatari’: Sundance Review 4d3e2c
In a refugee camp in Jordan, football offers hope to two young boys
- Reviews
‘Sabaya’: Sundance Review 1k5v70
Tense and riveting doc follows attempts to free captured Yazidi women from the notorious Al-Hol camp
- Reviews
‘Nafi’s Father’: Review 562m3y
In Senegal, a wise Iman faces a challenge from his own brother
- Reviews
‘President’: Sundance Review 4a3r2d
A remarkable story of bravery and determination against daunting odds in Zimbabwe’s first “free and fair” elections
- Reviews
‘Toorbos’: Review 712a3u
South Africa’s Oscar-entry is set in the poor white backwater of the 1930s
- Reviews
‘The Milkmaid’: Review 5d6473
The first-ever entry from Nigeria competes in the International Feature Oscar
- Reviews
‘Lift Like A Girl’: Review 562q1j
Behind the scenes at Egypt’s unorthodox training camp for champion female weightlifters
- Reviews
‘Here We Are’: Macao Review 453638
Nir Bergman’s road trip across Israel is a loving portrait of a father and his autistic son
- Reviews
‘Radiograph Of A Family’: IDFA Review 3t276u
What led Firouzeh Khosrovani’s mother to embrace revolutionary Islam so fervently?